[Thesis defence] 27/06/2025 - Marion Parisis: "La transposition médiatique des images dans les planétariums numériques : images scientifiques, images de réalité virtuelle et pratiques de médiation. The case of the evolution of stars" (CNE)
Ms Marion PARISIS will publicly defend her thesis entitled: "La transposition médiatique des images dans les planétariums numériques : images scientifiques, images de réalité virtuelle et pratiques de médiation Le cas de l'évolution des étoiles" on Friday 27 June 2025.
Date and place
Oral defense scheduled on Friday 27 June 2025 at 2pm
Venue: Avignon University - Campus Hannah Arendt 4 Rue Louis Pasteur, 84029 Avignon
Thesis room
Discipline
Communication
Laboratory
UMR 8562 Norbert Elias Centre - Dynamics of Social Worlds
Composition of the jury
Mr Eric TRIQUET | Avignon University | Thesis supervisor |
Ms Marie-Christine BORDEAUX | Grenoble Alpes University | Rapporteur |
Ms Joëlle LE MAREC | National Museum of Natural History | Rapporteur |
Ms Cécile DE HOSSON | Université Paris Cité | Examiner |
Mr Pierre CHASTENAY | Université du Québec à Montréal | Examiner |
Ms Jessica DE BIDERAN | Bordeaux-Montaigne University | Examiner |
Jérôme LECA | RSA COSMOS - KONICA MINOLTA | Thesis co-supervisor |
Mr Alain RIAZUELO | Paris Astrophysics Institute | Guest |
Summary
Astronomy is a major producer of scientific images. In this thesis, we focus on an instrument that has historically been dedicated to the mediation of astronomy through images: the planetarium. Since the 1980s, planetariums have undergone radical technological change with the arrival of digital technology. The points of light representing the celestial vault gave way to virtual reality images. These are generated by specialised software. Our work focuses on one of these: SkyExplorer, a software package developed by RSA Cosmos - Konica Minolta, the host company for our CIFRE contract. The thesis was prompted by the following observation: although this software is one of the most powerful in the world, RSA Cosmos found that it was underused by scientific mediators. The company realised that it needed to update its support for this tool to enable them to fully grasp its mediation potential. The aim of our doctoral research is to uncover this potential. To produce virtual reality images, the software developers draw on scientific images produced in laboratories. These images are then adapted so that they can be mediated. Here we draw on the concept of media transposition (Triquet, 1993). We examine these 'adaptations' and their impact on the mediation of knowledge. Our method of analysis concerns both the formal characteristics of the images and the scientific knowledge associated with them. We propose to call it 'semio-scientific analysis'. Our first task is to categorise the images in the software and the functions associated with them. We then analysed four images in particular in relation to the theme of the evolution of stars. The aim is to identify the possible ways in which the mediator can design and run a mediation session. Finally, we study a planetarium session in order to identify the possibilities that are actually implemented by the mediator. More broadly, our thesis makes an up-to-date contribution to work in CIS on mediation via virtual reality images, in particular by examining the transformations at work on science images. It also contributes to renewing reflections on the place of human mediation in a mediation context where digital technologies occupy a central place.
Keywords Media transposition, Scientific images, Virtual reality, Human mediation, Digital planetariums, Image semiology
Mis à jour le 11 June 2025